To the pond and back - to the pond and back - nearly a full day of walking altogether." These papers were written primarily by students and provide critical analysis of A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah. 11th Class English Notes, 2019-20, Unit 4.2-Lesson#11-A Long Walk Home. The most despicable Negroes were not at the head of the parade, shouting down reason, complexity, excellence, and human sympathy—they left that to bigoted Americans of European descent. It is interesting to wonder, here and elsewhere, how the individual spirit is compromised by social roles, whether those roles are considered benign or malignant. I’m going to walk home now and contemplate where I have gone wrong all these years.” “But Dad, it’s 18 miles to home. Money was taken from passengers in fees, and compromised—disrespectful, uncomfortable—service provided; and then when bus fares were raised in 1953 in January, community complaints were brought by Negro leaders to the City Council—and, while maintaining segregation, some of the bus seating rules were made more flexible, allowing blacks to take free seats designated for whites rather than stand, but white drivers refused to observe the new ordinance. “The melodramatic stereotypical story of black female domestics and white employers told in The Help is no new story,” wrote cultural critic Bell Hooks in “Help Wanted: Re-Imagining the Past” (Writing Beyond Race, Routledge, 2013, though available in late 2012; page 63). What is the best way to be in the world if the society in which you live sees your ethnicity or sexuality with antagonism? How can you reconcile thought and emotion; and individuality and community? In a world that knows more about itself than ever, Mia Mask’s Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies, a survey of “the current state of African American Cinema Studies and the issues impacting black filmmaking” (page 1), assumes the international nature of art, the availability of once obscure cultures, the prevalence and use of recording technology, the internet as a communication and distribution system, and the interaction of academic disciplines. Teaching short story - A Long Walk Home- by Jason Bocarro. The film Tales of Manhattan, which featured Charles Boyer, Rita Hayworth, Henry Fonda, Charles Laughton and other top performers interpreting the writing of Alan Campbell, Ben Hecht, and Donald Ogden Stewart, produced by Sam Spiegel and Boris Morros and directed by Julien Duvivier, was intended to embody a communal progressive ethos; and may be one more example of how good intentions can create controversy when it comes to politics. In a civil and humane society, each man is able to fulfil those obligations according to his own inclinations and abilities. Spacek makes a strong southern accent tolerable by investing her speech with awareness and sincerity. In A Piece of the Action (1977), Poitier presented a figure who is transgressive and a father figure, someone who is both bad and good if not complex: Manny Durrell (Poitier) is a person who steals from organized crime men but respects education and teaches useable survival principles—rationality, competence, manners, practicality, and sensitivity—to angry, needy young students. Park weaves two stories together: that of Nya, a young girl from Sudan in 2008-09, and that of Salva, a Sudanese boy whose story begins in the 1980s and continues into the 2000s.. Chantel is confident and knowing but she does not know enough to be diplomatic—but diplomacy can look and even feel like weakness when you are fighting for your life. It was, for African-Americans, a time of shared purpose and sacrifice, a time of danger. The National Association for the Advancement of Colored People (NAACP), The National Urban League, and the Congress of Racial Equality were the most prominent groups agitating for change. The civil rights tale told in The Long Walk Home is a story of knowledge and ignorance, of tradition and modernity, of kindness and cruelty—a story of character and situation and emotion and manners. Reverend Jemison had been involved in the two-week June 1953 Baton Rouge boycott, with Raymond Scott of the United Defense League and others, in what is believed to be the first American bus boycott. One can expect usually more dignity and illumination when the subject is Sidney Poitier, a figure of excellence. 11. Two women, black and white, in 1955 Montgomery Alabama, must decide what they are going to do in response to the famous bus boycott led by Martin Luther King. A long walk home by Jason Bocarro-Part1. Spike Lee argues that blacks, like whites, have begun to sell a variety of negative images of Negroes to gain social approval and financial reward. The girl’s younger brother Theodore has a better understanding of the political struggle than Selma does (the girl, both understandable and foolish, is one of those characters one yearns to strangle). The real world experience—rather than abstract ideals—of Manny Durrell (Poitier) helps him to communicate with and help frustrated and disrespectful students who do not feel as if they are being prepared for a life of meaning or success. The guard retrieves Garraty's information and permits them to enter. the long walk home summary Notes . Goldberg is also one of the great family of clowns, from Charlie Chaplin and Buster Keaton and Mae West to Lenny Bruce, Redd Foxx, Lily Tomlin, and Bette Midler. A Long Walk Home (Jason Bocarro) I grew up in the south of Spain in a little community called Estepona. Still, Strachan notes how the film, while advocating personal responsibility, does not address systemic problems with African-American social participation and the assumption of a traditional masculine role of providing and protecting. The African-American actor Cuba Gooding Jr. is a loving man whose business is violence and whose body is an ideal within built and natural environments of beauty, mystery, and danger in Lee Daniels’s film Shadowboxing (2005). University of Queensland Press is an Australian publishing house. Search the world's information, including webpages, images, videos and more. Lion is a biographical film based on the non-fiction book A long way home by Saroo Brierley. In Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies, Charles Musser’s essay on the actor, athlete, scholar and activist Paul Robeson, the writer Musser asserts that reception of Paul Robeson’s cinema work has been focused on its adherence to, or defiance of, stereotype, and that more emphasis could be placed on the actor’s participation in film form and strategy, on theater as a source for film, on Robeson as a film documentarian, and on an understanding of the artistic process and its difficulties. Directed by Richard Pearce For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one: ). 37 minutes (9084 words), The Long Walk Home Is that a continuation of the prejudice that made slavery possible, and that justified it? What is the relation of African-American films to the films of Europe or Africa and other locations? Một bài Hịch hay. While being as factual and as thoughtful as possible, and without denying difficulties, Massood presents creative work worthy of celebration, films featuring exuberant colored girls at liberty in the city: Just Another Girl on the IRT and Our Song. Whoopi Goldberg, a comedian, actress, and talk show host, appeared in the films The Color Purple, Jumpin’ Jack Flash, Clara’s Heart, Ghost, Soapdish, The Player, Sister Act, Made in America, and The Deep End of the Ocean. Of course, music and sports and film are our most popular forms, exemplifying personal skill, talent, and thought, and cultural aesthetics and values, and human agility and worth. Listen free to Peter Gabriel – Long Walk Home: Music From the Rabbit-Proof Fence (Jigalong, Stealing The Children and more). What is good, or evil? Angelique Harris identifies the use of gay characters as cinema scoundrels and jesters in her piece “‘I’m a Militant Queen’,” her study of twenty urban action crime dramas circa the early 1970s, some of the better known black exploitation—Blaxploitation—films: Harris finds hard black women, exploitive and violent, as sadistic lesbians in Coffy and Women in Cages—conceptions an artistic era removed from the more recent, acclaimed and complex Pariah; and she finds effeminate black homosexual figures—queens, forever in exile—used for their humor and pride, and for the contrast—sometimes affirmative, sometimes satirical—that they present to masculine leads, in Sweet Sweetback, Friday Foster, and Shaft. Yet, that employer Miriam volunteers to pick up her helper Odessa on the days that Miriam is in town shopping or running her own errands. Instead a small chapter, a small view, of the vital Montgomery boycott is given. The enslavement of Africans—between thirty million and one-hundred million—by the Portuguese, English, French, Dutch and Americans, was undertaken for economic reasons and justified by propaganda about black inferiority, a form of thinking so effective that it survived the end of slavery and preserved negative social discriminations. ÔNG THIỆN, ÔNG ÁC. The shadow—a kind of association or residue of image—connects but does not represent, Raengo says. Du Bois, Alain Locke, and Cornel West may be known as public intellectuals, and even as philosophers, but less so—for the general populace—are the trained and practicing African-American philosophers Michele Moody Adams, Anita Allen, Stephen Carter, Lewis Gordon, Leonard Harris, Tommy Lott, Charles Mills, Lucius Outlaw, Ken Perry, Adrian Piper, Lawrence Thomas, Naomi Zack, and George Yancy. There's little doubt that the will to live soon becomes the overriding theme in this book. The film The Long Walk Home begins in the age of Dwight Eisenhower, during the year Whoopi Goldberg was born to a teacher mother in New York: 1955. The gathered white people’s fear of integration is coolly agitated, angrily disapproving, taking refuge in the use of the word nigger and false suppositions about Communism. Preston died from complications due to cancer at age sixty on July 24, 2017. When Jason Paige first sang the demo for the Pok é mon theme song, all he knew about the show was that it had caused a bout of epileptic seizures in Japan. One sees the relationship of the individual to family and community in the film The Long Walk Home: we, in the film audience, see the black woman maid, Odessa Cotter, at home, on the bus standing before the boycott, then during the boycott taking a long walk to work in the rain, and with her family in church among many. Trai nước Nam làm gì?---Nhà giáo dục Hoàng Đạo Thúy (Phần 2) Find us on Facebook. “Each time you look at a blank piece of paper, you wonder how you’re going to do it, starting from scratch. Citations are made, on the negative side, of the minstrel tradition and of Bert Williams, and Jar Jar Binks in Star Wars, and the magical Negro in The Legend of Bagger Vance and the family mess—obesity, incest, violence, disease—in Precious; and, on the positive side, are Hollywood Shuffle, White Man’s Burden, and Bulworth. The book Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies is two-hundred and seventy-six pages of essays and studies on films featuring and/or directed and produced by African-Americans, with a list of figures or illustrations, an acknowledgements page, a succinct introduction, short biographies of contributors, and an index to significant topics and references. The conscientious Poitier hero found competition in new film figures in the early 1970s—in Sweet Sweetback, Shaft, and Super Fly, motion pictures with characters described by scholar Ian Gregory Strachan as “macho black heroes who were unrepentantly promiscuous; profane; violent; independent; were familiar with street life and the underworld (even if not a part of it, as in Shaft’s case); and, above all, kicked whitey’s ass instead of kissing it” (Contemporary Black American Cinema; page 91). Whoopi Goldberg, of course, is part of several traditions: a multifaceted woman performer, she belongs to a line that includes Ethel Waters, Josephine Baker, Lena Horne, Hattie McDaniel, Dorothy Dandridge, Diahann Carroll, Diana Sands, Cisely Tyson, Mary Alice, Gloria Foster, Diana Ross, Angela Bassett, Salli Richardson-Whitfield, Halle Berry, Viola Davis, Kimberly Elise, Anika Noni Rose, and Beyonce Knowles, transcendent and popular artists. Thematic Analysis of A Long Way Gone and Sold; The Inhumanity of War and the Loss of Innocence in 'A Long Way Gone' It is sad to think that the humanity of African-Americans as individuals or a group could be in doubt at this late date, but some prejudice remains, as personal experience attests and contemplation of the cinema record confirms. After Rosa Parks was arrested and jailed for refusing to sit in the back of the bus, the black citizens of that town commit to boycotting the buses. There are important institutions in society—churches, temples, schools, offices, clubs, organizations—that discourage difference, independent thought, originality, and passion. The province of blacks is pathology; and while the image of blacks is often one of abjection, that of whites is frequently one of affirmation. There is another demonstration of the vulnerability of blacks when Odessa’s daughter Selma (Erika Alexander) bucks the boycott and takes a bus to meet a boyfriend, and finds herself on a bus with insulting white boys who harass, chase, and attack her. i will be very greatful if you help me soon best regards 1- A Long Walk Home (by: Jason Bocarro) In the episodic 1942 film Tales of Manhattan, which presents American situations of wealth and poverty, north and south, Paul Robeson and Ethel Waters play a southern couple, Luke and Esther, who find money in a field, a gain that inspires moral discussion. Is that perspective possible, even among liberals? After a Baton Rouge bus service that was owned by African-Americans was ruled illegal in 1950, the town’s blacks were forced to ride the segregated bus lines, forming eighty percent of ridership, an example of whites refusing respect and sabotaging independence. 1- A Long Walk Home (by: Jason Bocarro) I grew up in the south of Spain in a little community called Estepona. When his village is attacked by rebel fighters, Ishmael loses his home and family. That is where the heart of this story is played out. While music has long been a huge part of baseball, the evolution of the individual walk-up song over the last three decades has forever changed the … Of the many wonderful blaxpoitation soundtracks to emerge during the early '70s, Shaft certainly deserves mention as not only one of the most lasting but also one of the most successful. Black Women Coming of Age in the City” by Paula J. Massood. It is the first, but not the last, very significant encounter. However, the boycott of the town’s bus system would last for more than a year, for three-hundred and eighty-one days; and finally first a federal district court then the Supreme Court would rule segregated buses as being against the country’s Constitution. One intuits that some people—thinking that the truth must be ugly—always prefer trash to treasure and thus reject artists and thinkers of virtue. “The surprise of the film is how intelligent and moving it is,” wrote Owen Gleiberman in his January 18, 1991 Entertainment Weekly review of The Long Walk Home. It is interesting to see the council, full of men of differing complexions—it is almost always interesting to look on the skin tones of whites or blacks who are part of self-segregated groups based on color and to wonder about the roots of their varied pigmentation. In The Long Walk Home, Goldberg’s brave bohemian spirit is covered by the strategically humble and quiet manner of a character with limited options and power: the manner is the self-obscuring language and gestures of blacks in the presence of white power. Free Africans in Africa, the land of Egypt, Kush, Carthage, Ethiopia, Ghana, and Mali. What are your chances for sanity, stability, and success? The anthology demonstrates and explores the significance of the work that has been made. Directed by Richard Pearce. Listen to the Audio (00:40) Share. Who are Miriam and Odessa apart from their roles as wives and mothers? King sees and speaks of common virtues and values; a shared humanity. He certainly didn't expect the song to become so popular that it would be … I have failed because I have brought up a son who cannot even tell the truth to his own father. Trai nước Nam làm gì?---Nhà giáo dục Hoàng Đạo Thúy (Phần 2) Find us on Facebook. Odessa and her family walk among them, even though walking means Odessa will arrive home at night too late to cook and too tired to clean. One’s perception of opposition can inspire a greatly obstinate attitude. Keith M. Harris’s consideration of the black male body, and power, surveillance, and subjection, as they occur in the films Glory, Pulp Fiction, Traffic, Clockers, Beloved, Looking for Langston and various visual art works—including photographs and videos—is a bit sensational, with its academic language seeming a license for perverse speculation regarding desire and brutality in relation to the black male body, particularly regarding the submission and anal penetration of the black male body, whereas the discussion by Michael B. Gillespie of Ralph Bakshi’s animated (and live action) film Coonskin (1975) is an analysis of the predictable scandal surrounding the provocative depiction of black figures, involving criminals, and the migration from south to north, with sexual titillation involving miscegenation—and the film is seen as an imaginative, satirical “exercise of the racial grotesque” (page 68). Malakeh Bali. The last essay is probably the best in Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies: Paula J. Massood’s thoughtful, warm analysis and appreciation of two independent films featuring African-American and Hispanic girls, Leslie Harris’s Just Another Girl on the IRT and Jim McKay’s Our Song, in the article “Street Girls with No Future? Cast. The organizing and visionary young—twenty-six years old!—minister Martin Luther King Jr.’s voice is heard in church, and coming through speakers placed outside for the large overflowing audience: Martin King connects the black protest to the United States Constitution and to Christian morality. How Lee Daniels evades some of the typical and static representations of race is the point of Alessandra Raengo’s essay on Shadowboxing and Precious (Bell Hooks takes a very different view—discussing Precious as degrading—in her own Routledge book Writing Beyond Race). Of Negroes, Norman’s brother Tunker says, “They start asking for more and doing less.” Tunker (Dylan Baker), an enthusiastic bigot as well as a doting uncle, and the other pale faces assembled are focused on notions of black laziness, though exploited black labor has been the backbone of the southern economy for centuries. Miriam’s husband Norman is firmly disapproving when he finds out that Miriam has been driving Odessa, and he forbids it: “Don’t go off on your own. It is an example of the recourse to good sense and truth that African-Americans are sometimes (yes, that presentation of earthy wisdom is also a cliché, though here insight redeems it). Paula Massood observes of Chantel: “Her ambition, her academic excellence and her looks are, in Chantel’s opinion, real markers of her difference (even though the film’s title ironically plays with this notion). Founded as a traditional university press, UQP has since branched into publishing books for general readers in the areas of fiction, non-fiction, poetry, Indigenous writing and youth literature. Miriam first submits—telling Odessa her husband Norman is a good man, but culturally limited. The Long Walk Home arrived decades before the film The Help, which focuses on the relationship of black southern maids to the white women they work for, with the maids in The Help including a longtime, loyal black maid impulsively fired, and a rebellious black maid who takes crude revenge on a disrespectful employer, as well as one maid with a spiritual sense and a small interest in writing. Perception defeated purpose. Musser, who considers the Oscar Micheaux film Body and Soul (1925) that featured Paul Robeson as a critique of three plays Robeson had appeared in, points to the creation and reception of Robeson’s work in the motion picture Tales of Manhattan, a film in six different segments with themes of class, love, infidelity, morality, work, and crime, as an example of Musser’s concern with how Robeson’s work is seen. The human bond of friendship, confirmed and deepened by political participation, is a victory. The interracial friendship defies the strategies established to diminish African-American agency and accomplishment: strategies that require or encourage the maintenance of ignorance, the limited economic opportunity, the lack of social support, the marginalization, and the harsh judgments; the whole system of values and money and power and imagery promoting whiteness and denigrating blackness. Art Director Blake Russell, Cinematographer Roger Deakins, Editor Bill Yahraus Chapter Four, p. 20 "Their region was inhabited by large herds of antelope, wildebeest, gnus - and the … In an affair with his older and white and dying stepmother (Helen Mirren as Rose), a professional killer like him, Gooding as Mikey is a bringer of pleasure and of death: out of sympathy, Mikey kills the ill Rose while they are having sex. Exploring the meanings of songs since 2003. Are not heroes usually embodiments of virtue? Do films in other traditions carry the same narrow expectations as those for blacks? ÔNG THIỆN, ÔNG ÁC. Long Walk Home - Music from The Rabbit-Proof Fence is a music studio album recording by PETER GABRIEL (Crossover Prog/Progressive Rock) released in 2002 on cd, lp / vinyl and/or cassette. Created by TeachingBooks. Miriam rebels, and her bond with Odessa grows into friendship but there is a break between Miriam and her husband, with the film ending with an image of interracial connection despite the threat of communal white male violence. Their virtues and the intimacy of their work make the good they do possible. You can’t walk home.” My protests, my apologies and the rest of my utterances were useless. School children, 9 years and up, should see it with an adult. The virtues can be taught, and they can be modeled, but they must be chosen and cultivated in order to be possessed by anyone. The liberation of blacks had to be fought for everywhere—in law courts and business offices and churches and homes and restaurants and stores and parks and on beaches. In Nya’s story, she is of the Nuer tribe. "Home for just long enough to eat, Nya would now make her second trip to the pond. Who you are, or who Mr. Thompson wants you to be?” Odessa asks Miriam. Edited by Mia Mask Enslavement. It was for the nation a time of turmoil, hope, and change. Individual freedom is protected by the laws of a democracy, but conformist customs, capitalist enticements, and criminality compete with, and subvert, those protections. “She don’t know us and she don’t want to know us,” the servant Odessa Cotter’s husband Herbert Cotter says of the good white lady, Miriam Thompson, that his wife works for. “What’s scaring you? In other essays, Terri Francis parses the connections among experimental film, Hollywood film, history, and ordinary black life in Christopher Harris’s still/here, a sixty-minute documentary film construction centered on ruined buildings in St. Louis; and Mia Mask takes a closer view of the popular inclination of black men—Martin Lawrence, Tyler Perry, and Eddie Murphy—to appear in female drag in cinema, and at the possibilities for empathy, burlesque, and homoeroticism that impersonation offers; and Sarita McCoy Gregory examines the contradictory aspects of Disney’s first black princess, Tiana, a free and pretty New Orleans girl who is kissed and transformed by a frog prince, and whom for much of the film—The Princess and the Frog—is a frog rather than a girl, and whose centrality in the film’s narrative is subverted by a blonde girl. (“They manage to create, deliberately, in every generation, the nigger they want to see,” said writer James Baldwin in “Black English: A Dishonest Argument,” his 1980 defense of culturally idiomatic speech, from The Cross of Redemption, Pantheon, 2010; page 128.) After the world premier at the Toronto International Film Festival the movie received 6 Oscar nominations and 5 nominations at the 70th British Academy Film Awards, winning two for Best Supporting Actor (Dev Patel) and Best Adapted Screenplay. Why are the cheap and the lurid preferred to the complex and the true? The kingdoms of Benin, Dahomey, Oyo, and the Ashanti, kingdoms which became complicit with evil. The A Long Walk to Water quotes below are all either spoken by Nya or refer to Nya. It was a necessary rebellion, a battle that continued in a war that had been declared won. It’s dark. The common expectations for African-American film have been much less. Natural fathers and mothers fail to protect, and adoptive parents assume responsibility. “The isolation that menaces all American artists is multiplied a thousand times, and becomes absolutely crucial and dangerous, for all black artists,” wrote James Baldwin in his sympathetic “Sidney Poitier” for Look magazine in July 1968 (The Cross of Redemption, Pantheon, 2010; page 182). Odessa Cotter must be silent while hearing rudeness. Directed by John Tindall. Will many people ever feel as great a wonder for African-American films featuring and directed by blacks? 12. Ask me. In life, every man has twin obligations — obligations to his family, to his parents, to his wife and children; and he has an obligation to his people, his community and his country. The reader is apprehensive about Guerrero’s consistent binary oppositions, even as he/she can recognize the accuracy of Guerrero’s observations. Enter Your Email and Verify Your Email from Your Inbox to Subscribe. The businessman, husband, and father Norman Thompson points to prominent politicians and businessmen who have joined the citizens group, and Miriam says they would join a circus if they thought it would help their careers. Overview. With Geoff Pierson, Dave Bean, Brianna Berlen, Adam Finley. Sissy Spacek as Miriam performs with ease and energy throughout the film, creating a character that is decent, fair, and intelligent rather than predictably liberal. However, the long history that came before the Montgomery bus boycott is not given but is assumed in The Long Walk Home. There is a creation of consciousness beyond the facts of body, circumstance, matter, and time. Meet-the-Author Recording with Jason Reynolds about Long Way Down. Change. Routledge, 2012. In the film The Long Walk Home, written by John Cork, directed by Richard Pearce, and starring Whoopi Goldberg and Sissy Spacek, two women, one a household helper and one her white lady master, Odessa Cotter and Miriam Thompson, become friends and participants in the American civil rights movement of the mid-1950s. Sidney Poitier, an intelligent and sensitive man, a good actor in No Way Out, Edge of the City, The Defiant Ones, Lilies of the Field, and In the Heat of the Night among other motion pictures from the 1950s through the 1970s, and a likable model, has been celebrated and denigrated, in fact denigrated for the celebration that attended his work. The idea seems to have been: If you cannot have all the colored artists or stars you want, destroy the ones you do have. Lord, don’t pass Montgomery by. Even Robeson began to apologize for the film, assuming its reception negated the ideas of its purpose and construction. Long interested in human complexity, intelligence, experiment, and cultural diversity, Garrett has researched various cultures, and he wrote about fiction and poetry for World Literature Today and international film for Offscreen, and has done music reviews that constitute a history of popular music for The Compulsive Reader. Even in comedy, sometimes especially in comedy, black complexity and humanity can be denied: is there anything more lethal than refusing to take someone seriously? Paula Massood does not present films or film characters and their lives as problems to be solved, or as problems that justify the authority or effort of a critic or scholar. In Spike Lee’s Bamboozled (2000), the television writer, Damon Wayans as Pierre Delacroix, learns that it is not possible for the images of blacks to be too foolish, too inhumane, or too negative to be believed. (by: Jason Bocarro) I grew up in the south of Spain in a little community called Estepona. Translation Unit 4.2 English A Long Walk Home - First Year ... ...  The Brooklyn girls in Jim McKay’s film have not given themselves the same extensive permission to be themselves as in Leslie Harris’s film, but both films show the inability of the young to anticipate all the experiences and decisions that they are likely to face; and “McKay forgoes direct address and voice-over (more easily recognizable documentary conventions), instead opting for long takes and close-ups” (page 242). In the film, about family, love, sex, responsibility, and violence, “the erotic and the deadly are never neatly separated” (page 210). While music has long been a huge part of baseball, the evolution of the individual walk-up song over the last three decades has forever changed the ballpark experience for players and fans alike. That kind of conundrum does not make its way into many films, though it is felt by many people of color every day—and it is in Just Another Girl on the IRT. The book records his real-life experiences as a 12-year-old caught up in a bloody civil war in his home country of Sierra Leone.
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